It's bloody cold here in deepest, darkest, Jockshire. I think last week was the first I can remember when it snowed every day for a week.
The streets of Aberdeen are still covered in snow, and it's still deep in fields lining my train route into the city each morning. Curtains of frozen water cling to the cliffs between Aberdeen and Stonehaven, and the pavements in the city are, in places, dangerously slippery.
All in all, it's not ideal gig weather, but last night a few friends and I set off to Moshulu to see Late of The Pier.
Opening act Connan Mockasin (yep, both of those names are spelt correctly) were already on stage when we entered the venue. They were oddly ramshackle - a drummer in a deerstalker hat and a young guy with an unruly shock of blond hair playing an odd assortment of instruments while singing in a strangled yelp. They were better than that description makes them sound, honestly....
They were followed by Micachu and The Shapes (it was a night of bizarrely-named bands), who were, if truth be told, the most interesting band of the night. A lead singer who looked like a 14-year-old boy, but is actually a 21-year-old woman, led the three-piece band through a fast-paced set incorporating quick rhythm changes and clever harmonies. Definitely ones to watch.
And so to the headliners. I hadn't heard much of Late of The Pier's stuff prior to the gig, but I expected a noisy, fast-paced set - and I wasn't wrong.
As the gig was an over-14s event, the crowd was young and excitable, two features of the audience the band played on to rollock through an electro-punk set. The band's arrogance, while it undoutedly spurs them on while onstage, became a bit grating as the set wore on, but they were well worth the remarkably low entrance fee of £9.
All in all, a good night was had by each of us, especially given the less than ideal weather conditions outdoors.
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