Friday, November 03, 2006

More random noises from the Magic Tune Box

Once again, I have failed to come up with a blog topic as witty, intelligent and thought-provoking as my usual standards, so I will set the Magic Tune Box to random and see where it takes us, as I did in a previous post.

1: Hawks & Doves by Magdalen Green (from the Magdalen Green EP): Bluesy Zep-like acoustic ballad tinged with harmonicas and bongos. From the young British band's debut single, which I recommend everyone check out as soon as possible.

2: Song of Life by Leftfield (from the album Leftism): A reminder of why Leftfield were so good at their peak. Coming from the same album that gave rise to Open Up, Song of Life starts slowly, combining Indian chanting with quiet drums, before accelerating to clubland in its final four minutes, including Leftfield's own trademark skull-crushing drums.

3: Sittin' Here In Silence (On My Own) by Oasis (B-side from the Let There Be Love single): Downbeat acoustic strum-along from the band's recent renaissance. Only two minutes long, the song hints that not everything in Noel Gallagher's world is rosy in the post-Britpop comedown.

4: Policeman Skank...(The Story of My Life) by Audioweb (from the album Fireworks City): Audioweb's lead singer Sugar was a strange creature - a six foot plus black guy who could sing like an angel and rap better than most of his contemporaries. This reggae-tinged pop romp tells, as the title suggests, the story of his life, arrest and time in jail.

5: Rain by Terence Trent D'Arby (from the album Introducing The Hardline According To Terence Trent D'Arby): A comparitively weak track from the 80s soul saviour's debut album. Doesn't come close to the greatness he enjoyed on Wishing Well and Sign Your Name. A statement that could also be made about the remainder of TTD's career after this album.

6: Safe In Mind (Please Take This Gun From Out My Face) by UNKLE (from the album Never, Never, Land): UNKLE's futuristic, string-drenched electro hip-hop brings in Queens of The Stone Age's Josh Homme on lead vocals, to brilliant effect. UNKLE are most definitely at their best when collaborating with guest vocalists, with key hook-ups including Richard Ashcroft, Thom Yorke, Ian Brown and Badly Drawn Boy. This track includes the lyric 'Life's a gun that's always pointing in my face.'

7: Strawberry Fields Forever (Take 1) by The Beatles (from the album Anthology 2): The original first studio take of the greatest song ever. Includes woozy acoustic slide guitar, deadened drums and John Lennon giving a heart-rending performance on acoustic guitar and lead vocals. Reveals that at the heart of the most wonderful piece of art ever created, lies a simple acoustic ballad. Beautiful.

8: Talk On by Ocean Colour Scene (from the album Ocean Colour Scene): Many people believe that Moseley Shoals, the album which included the singles The Riverboat Song, The Day We Caught The Train and The Circle, was Ocean Colour Scene's debut. In fact, it was this self-titled record, after which they were quickly dropped by their record company. OCS themselves largely ignore this album, feeling that the band and label's conflicting musical views led to a 'watered-down' debut which lacked the edge of OCS' live popularity. An inoffensive and un-inspiring track, a charge which could be levelled at most of those on the record. Cynically re-released in 1996 to captialise on the band's new-found popularity.

9: Central Reservation (The Then Again Version) by Beth Orton (from the album Central Reservation): Trip-hop influenced remix of the title track from Orton's second album. Although I own all of her albums, I don't think I've listened to one for a few years - which is a shame, as whenever one pops up on the Magic Tune Box, I remember how good she is. Then I go home, forget all about her and listen to Bob Dylan instead.

10: Half A Dream Away by Ocean Colour Scene (from the album Marchin' Already): Seems the Magic Tune Box has an OCS fixation today. Typically well-played, well-produced but terminally bland album track from the follow-up to Moseley Shoals. Includes a trombone solo and some bizarre couplets including: 'The fireman tried but the hose was frozen; The cupboard's bare but the door needs closing'. Does end with a 30-second spell of finger picking by Steve Craddock. Which is nice.

No comments: